A Lake Like No Other -- Inle Lake, Burma
By Jon Tanner
Photos by Jon Tanner
ITWPA MemberIt’s hard to tell where land ends and lake begins, what is solid and what is not. Lined by rippling mountains to the east and west, Inle Lake stretches seemingly infinitely into the distance. Our motorized longboat glides through tangles of weed and past giant lumps of solid, floating greenery as gulls swoop past.
We approach a fisher on his narrow wooden boat. He casts his net, balancing on one leg. The other leg holds a paddle that he uses to row with a strange, wide-swinging action from the hip. The advantage of this unusual technique is that it leaves both hands free to manage his central task -- catching the next meal.
Inle Lake is full of surprises. Located in the heart of Myanmar (Burma) and a 30-minute flight from the city of Mandalay to the gateway airport of Heho, the lake is 14 miles long and half as wide. Its altitude of 3,000 feet offers welcome relief from the scorching heat of the plains to the west. Here thousands of lake-dwellers live literally on the lake in teak houses supported by stilts. Canals connect neighbors and villages. Children chat and giggle as they paddle themselves home from school. Women in bamboo hats row their boats laden with shopping baskets.
The villagers are industrious. One village teems with weavers creating cloth from silk or fiber from the stem of the lotus plant. Lotus cloth is coarser than silk, but is rarer and therefore more expensive. The coarser cloth is used to make garments worn by monks.
Another lake village is host to a cottage cheroot industry. Young women sit on the floor rolling tobacco in leaves from the local cordia tree to create a long, slim, green cigar. While the men are out fishing, each woman can assemble 1,000 of these combustibles in a day to satisfy popular demand, mostly from older women. A few canals away, a blacksmith and his assistants heat metal over a small fire before beating it into shape to make implements or ornaments in a process that has not changed in two centuries. Across a small stretch of water, a man paddles a boat carrying a pile of lake weed to spread as fertilizer on a floating tomato garden. Villagers use long bamboo poles to stake massive floating islands of solid soil to the lake bottom. They then plant tomatoes, onions, eggplant, and other crops in the knowledge of an assured rich harvest in this fecund environment of abundant water and natural fertilizer.
On market day, hundreds of long boats choke the waterways as Inthas from the lake area and the Pa-O people from the surrounding hills and highlands converge to sell their wares. The groups can be distinguished by their headgear -- the Intha wear round bamboo hats with a wide rim, while the Pa-O are a blaze of flamboyant color in their bright orange or red headdresses.
Of course no Burmese scene is complete without its temples and monasteries, and Inle Lake is no exception. But as I discover, Nhaphe Chaung Monastery has a particularly odd claim to fame. As I look around the main temple hall, a woman enters, followed by several cats. I gape as she effortlessly overcomes any feline reticence and persuades each cat to jump through a small hoop. Training cats is no small skill and calls for a human quality the monks would possess in spades: patience.
As a fitting finale to the day, the lake unveiled a spectacular and deeply romantic sunset complete with vivid reflections of a glowing mountain range and a moving panorama of silhouetted boats and their unique leg rowers.
If you’d like to purchase this article for your publication, click here to contact the author directly.
The restaurant and saloon are housed in a two-story Victorian house built in 1914 and the adjoining “National Garage,” once a livery stable for workhorses in the local mines. When automobiles became the latest rage, the stable was converted to a service station.
It was the first day of an event where artists would spend five days in different coastal regions of Northeast Florida creating a painting a day. The culmination of the event would be on Saturday, with all the art being shown and available for sale at a reception at the Ponte Vedra Cultural Center. All the proceeds go to the North Florida Land Trust.
I was just about to give up on my MapQuest directions to the next artists’ location when I spotted an artist on a quiet road next to a park with children swinging and laughing. He was capturing a classic street scene of old homes and palm trees. I feel compelled to point out the obvious at this stage -- there were palm trees at each scenic location. I mean, it is, after all, coastal Florida.
Thursday the artists were to be found either at Guana or Hanna Park painting ocean scenes, lake views, and intercoastal masterpieces. On Friday morning, the rain clouds were out, so my journey to Vilano Beach in St. Augustine started in the early afternoon as the sun and blue skies returned.
The North Florida Land Trust permanently preserves natural areas and special places in North Florida. This event will help fund the cost of creating the Conservation Resource Center, which will be established by purchasing and renovating the landmark Old Oar House Restaurant property on Mickler Road in Ponte Vedra Beach. For more information on the North Florida Land Trust go to
Take a stroll along Market Street in downtown Corning, NY, on a Friday evening in November, where the trees are wrapped with tiny white lights and storefronts tempt you with their beautiful arts and crafts and glass work, and your sense of smell will lead you to a lively little coffeehouse called
The annual Calgary Stampede is by far that city’s greatest tourist attraction. Held at the beginning of July every year, the Stampede is a renowned rodeo that celebrates the city’s ranching heritage. Every year more than one million attend this largest cowboy contest in the world.
However, two events top all the other attractions: the afternoon Rodeo and the evening Chuck Wagon Races. The Rodeo is the world’s most prestigious, with $2 million in prize money, and is believed to be the wildest and richest daredevil show to be found anywhere. Bold and skillful cowboys ride bareback bulls and wild horses, rope calves with split-second precision, milk untamed cows, and wrestle fierce steers while fearless rodeo clowns perform their crazy antics. It is a three-hour non-stop spectacle of men challenging beasts for supremacy.
Immediately following the Chuck Wagon Races, hundreds of comedians, dancers, singers, international acrobats, and world-class musicians entertain and delight the crowd on a gigantic stage in a mammoth 90-minute Grandstand Show -- an exciting variety spectacular. Fabulous costumes, glittering lights, and lavishly choreographed musical productions are included in a Vegas-style show featuring young Canadians and well-known star performers from around the globe.
Darkness hung low, encompassing the island in its wet grip even as the sun struggled to break over the horizon. It was early in the morning as we stepped off the puddle jumper onto the soil of Molokai. As dawn turned into a diffused gray light, my first glimpse of Molokai was that of mountains rising up to the sky, completely shrouded in mist. But behind the curtain of drizzle, paradise awaited.
Molokai’s solitude and wild beauty present a compelling case to reconnect with nature. Molokai offers a plethora of hiking trails to assist one in this endeavor. The Kalaupapa Pali Trail is one of the most widely known. This 3.5-mile trail -- the trailhead is located off Highway 470 -- winds its way down sheer sea cliffs, ending at the peninsula where a key part of Hawaii’s tragic side of history took place. In the 1800s, when many Hawaiians were contracting the dreaded leprosy (now called Hansen’s disease), the affected were brought here in the hope that isolation would halt the spread of the disease among the Hawaiian population. Here, the patients lived out the remainder of their lives in less than desirable conditions. Today, all remaining patients have been cured. Some have chosen to continue living on the peninsula.
This peninsula is now the location of Kalaupapa National Historical Park. A permit is required to visit the park, and can be purchased from the State Department of Health or from Damien Tours. To visit this park you can fly in, hike down the sheer sea cliffs, or take a mule ride down the cliffs. We decided to rough it, descending the 26-switchback trail to the seaside. It was during our long hike down to the peninsula that we came face to face with a delightful surprise. Out of nowhere there appeared a tiny newborn fawn, undoubtedly only days old. The fawn stood on trembling legs, and tentatively stepped toward us with soulful, trusting eyes. As the fawn moved forward, it let out a cry not unlike a newborn kitten’s meow, and cautiously smelled our hands. Having concluded that the mother was nowhere to be found, I admittedly was plotting how I could bring this adorable creature home with me. Rest assured, my sanity quickly returned. A local guide rescued the fawn, and carried it back up the cliffs draped over the back of a mule.
The perfect place to recuperate from the grueling Kalaupapa Pali hike is Papohaku. Located on the western coast, it is one of the most pristine beaches of the Hawaiian Islands. At three miles long, the width of the beach is no small matter either. The golden sand is so soft that I was compelled to entrench my feet deep down, reveling in the smooth, powder-like substance. Though swimming here can be hazardous, the sunsets give a glorious ending to the day.
I tucked into my Antioch kebab in an outdoor restaurant packed with Ramadan fasters, a gale blowing up from the ancient river that bisects the city sending burkas billowing on one side and blowing designer sunglasses and packs of Marlboro across Formica tables on the other. Miniskirts and veils mix easily in modern Antakya, a refreshingly cosmopolitan Turkish city close to the border with Syria.
The walls were what I’d endured a 14-hour coach trip from Alanya for, but now that I was here I’d immediately fallen in love with the whole place. I’d imagined a monotonous jumble of disorganized concrete building projects, a backwater far from the cultural orbit of distant Istanbul, and had found instead something completely different.
If the medieval city walls were beyond me in the July heat, I at least managed to struggle up to St. Peter’s Cave on the lower slopes of brooding Mount Silpius. I don’t know whether the disciple really preached here or not, but I had to admire the gothic vaulting and rose window facade piously added by the crusaders after they’d finished slaughtering or selling into slavery most of the inhabitants.